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The only thing I could maybe do later is update the markings on each lens with fluorescent paint like what you see here, by Moritz Schierenbeck on VLFVs facebook group. AgThunderbird A7Riii | A7ii infrared mod | Minolta 7 . Chris Ware Media - Cinematographer, Photographer, Journalist The main difference being that a normal human can afford Contax Zeiss but not Leicas. It doesnt really ever pop up on my 25 2.8, 28 f2, 50 1.4, or 135 2.8. Learn how your comment data is processed. Or buy Supers. That's where my obsession started. I managed to get a bunch of black C/Y adapters, step up rings, and some lens gears from eBay and decently cobbled together a set. Heres a little short-hand: ". Plus, fitting these is never a one-slip move. Still on the DIY train, a friend and I had just bought a 3d-printer, so I started making my own focus gears. They are also a little sloppy on the mount, which can be alarming. or Sign Up Log in with Search in titles onlySearch in Lens Tests only Search Advanced Search Forums Groups New Posts Today's Posts Member List Forum Shooting RED Almost six months after I wrote this guide, I decided to update it with a quick survey of what lenses to consider - a general overview of the Contax lineup, if you will. makes SPECTACULAR permanent mounts for $75 (Duclos uses these, nuff said). Yes, it's one step slower than the its siblings, but it definitely crushes them with razor sharp focus and a beautiful transition into bokeh. However, I wont argue that having a lens that says Made In West Germany is wicked cool. If thats your deal, then you will love Leica Rs. Collapse. Reduserforum "Contax Survival Guide" says is a good one. Sonnar originally meant "Sunny", because historically these used to be the bright, fast designs when they first came out. A) They are FULL FRAME and will cover Dragon, and it would seam, even VISTA VISION WEAPON. Lucky for me my 50 and 85/1.4 were already MMJ. DaVinci Resolve Quick Tip What Are Power Bins and Why Are They So Useful? Contax Zeiss Survival Guide. Zeiss AE lens information I found a link to this awesome Zeiss Contax lens brochure, dated October 1975 (12 MB). All times are GMT-8. Thats where my obsession started. I've noticed these designs are more likely to create punchy, contrasty images, too. As a reference, my main set of lenses at this time was a Soviet kit that I put together because of their imperfections and organic look. This page was generated at 05:50 PM. This site uses Akismet to reduce spam. (I read the Contax Survival Guide, thank you Nick . Im selling all the gears I made for my set on eBay, I made a tutorial on how to make focus gears, the same formula for the 21mm f/2.8 ZF/ZE primes, I was warned by my followers on Instagram about the edge the AE had over the MM, he can provide caps with stickers already on them, see here, by Moritz Schierenbeck on VLFVs facebook group. Happy Memorial day all. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. Your choice if you want them Cine-modded or not. Standard lens, cant really make a set without a 35mm in it, right? Show. What's the word on that lens? 18mm is way too close to 21mm, plus lots of reviews mention its not-impressive performance. This will ensure a constant outside diameter, which means you dont have to adjust your follow focus every time you change lenses. Its a very charming (or annoying, depending on your POV) design to the aperture blades that looks like a crooked ninja throwing star. How can i get those lenses from you? For those not wanting to go the 'pro' Cine-Mod route, you can do it yourself with decent results. Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. Since the filter threads across the set are wildly different (from 55 to 72mm), standardizing the filter threads to 77mm allows you to own one single set of filters which can quickly switch lenses without the need for tons of step rings. After I read stellar reviews about the 28mm f/2.0 Hollywood, I went looking for one. Building this set was a great experience throughout. While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. You can either build a $1500 set or a $10000 set and youll always impress with the results. Because Contax is actually one of the most storied names in photography. I prefer the FOV of a 25, but for the budget.the 28mm is amazing. The 6-lens set in a Nanuk 918 Case and the two specialty lenses. There is a bit of breathing when rack-focusing. The one main difference I can see isas stated aboveI think the Contaxes cinemod slightly BETTER than ZF/ZEs (because they ALL focus the right way, and ALL have an aperture ring), and also ALL they have that wonderful older T* coating that I believe looks better on digital than the newer T* coating (renders more organically). That said, many still photographers (and DPs) have gotten magic out of these lenses at an F2 or faster. That meant getting a few more lenses and upgrading various aspects I had neglected so far. The 135mm f/2.8 was a great lens. The Contax dont look vintage to me, but they also dont look modern. As they are still lenses, there is some breathing on some of them, but nothing insane that has ruined any of our shots. Informative and equally hilarious in parts :) I'm sure it will prove a resource for many many people over the years. Nothing is free. The Standards were w/out a doubt the sharpest wide open. If you want to get in the same room and do a test to compare the 50/1.4 to a ZE/ZF, I'd be more than willing; just shoot me a line. Pm for pics. Thank you to Tito for a captivating read. . smc super takumar lenses are often more available and significantly cheaper than the Contax. It was intended to be a cheaper alternative. I took this question to Instagram again and got really good arguments for both sides. If you do have a printer, I made a tutorial on how to make focus gears! From the Contax Survival Guide: 100 3.5 - Like the 85 Sonnar, but slower and possibly even sharper. The lenses were made in two generations. Here are some things I got from it: Contax Zeiss lenses were designed for 35mm full frame, which means theyll cover all the way up to Vistavision sensors on modern cameras and anything smaller. Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. It looked neat, but from my experiences as 2nd Assistant Camera, I was constantly being asked how fast so-and-so lens was, or whats its minimum focus. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria. You NEVER SEE it wide open, because the blades arent engaged. Contax Zeiss Survival Guide - REDUSER.net Back to the story. I was not impressed, so I decided to make my own. They dilate quite a bit and fit much more easily. THE CONTAX LENS GUIDE - 2015 EDITION The most up-to-date guide to almost every Contax lens ever made. The Soviets were good enough for my own projects, but I needed something more reliable on this one. After I read stellar reviews about the 28mm f/2.0 Hollywood, I went looking for one. You can unsubscribe at any time via an unsubscribe link included in every newsletter. This is my personal opinion. At this point the price argument was adding a lot of weight. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. After I got the five Contax I went to look for more info and found Nick Morrisons Contax Zeiss Survival Guide at REDUser. Im a big fan of these lenses and have been building my own set for the last few years, but Im nowhere close to creating a buyers guide, so Im very happy that a good friend of VLFV, Tito Ferradans has written the amazing guide below, which doesnt just introduce and explain various aspects of ContaxZeisslenses but will also show you how to tune them up for video use! Wide open, the 35 1.4 and 85 1.4 are fine (circular bokeh). They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. The 'Contax craze' is 15 years old and dates back to the introduction of the Canon 5D which was the first affordable full frame sensor. I'm liking my 28:2.8 AE. Contax Zeiss Survival Guide - REDUSER.net Contax Zeiss Survival Guide - REDUSER.net You can also tell their place of manufacture based on whats written on the lens! I personally own the 35mm and the 50mm. I started using these lenses casually. But then work started picking up and I saw that as the perfect opportunity to upgrade. It gains the 40MP sensor and AF system from the X-H2 but in a body with a more stills-focused slant. Could it be that yours was bumped once in it's lifetime, if it's not the adapter? In the same way RED wants to give you as many options by letting us shoot RAW, my hunch is that Zeiss was doing the same back in the day with a low-con coating. To check if I did it, just follow me on Instagram as I post all my lens experiments there! AE lenses were made between 1975 and 1984. Great post about contax! The process turned out alright and the gears worked great, but later on I learned some useful tricks. They dilate quite a bit and fit much more easily. Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. This one was only made in Japan and it doesnt exist in AE, just MM. Contax Zeiss Survival Guide In reply to Giovanni_1968 9 months ago While this site is targeted to adapting Zeiss Contax lenses for video, it also seems to be the go-to guide for the rest of us with respect to these lenses. I get asked lots of questions. DPReview TV: Nikon 58mm F0.95 Noct Review! The Carl Zeiss Distagon 2.8/28 T* enjoys a very good reputation and it is a bit more expensive at around 250. This stumps everyone. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. I remember years back when it was Pebble Place, Fred Miranda, a few random flickr pages and foggy lens tech folklore for figuring out this old glass. Badass thread, been looking around for a guide like this. So this reasoning is pretty bullet proof. So far I had been using adapters on them, and they sucked.

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